Kim Il Tae is a contemporary artist from South Korea, renowned for using the purest gold as the main element in his artworks. LIGHT OF GOLD Exhibition by Artist Kin il Tae and Organized by Philip Shin. As the curator and organizer of numerous successful art exhibitions, Philip Shin has been a driving force in showcasing the works of talented artists from around the world. Philip Shin, a prominent figure in the industry, has successfully secured mandates from the top 10 Korean artists. This strategic move not only solidifies Shin’s position in the art market but also reflects a momentous collaboration between an influential art professional and the cream of Korean artistic talent.
Philip Shin kicks off his series of exhibitions with the much-anticipated debut of artist Kim Il Tae. Recognized for his innovative approach to traditional mediums, Kim Il Tae’s works promise to captivate audiences with a harmonious blend of modern aesthetics and cultural richness. This inaugural exhibition serves as a celebration of artistic evolution and the unveiling of a promising talent.
Building on the success of the first exhibition, Philip Shin brings together a curated selection of works by five top-tier Korean artists. This exhibition aims to showcase the diversity and depth of contemporary Korean artistry. From abstract expressions to meticulous realism, the audience is in for a visual feast that highlights the unique voices within Korea’s vibrant art scene.
Philip Shin’s commitment to cultural exploration takes center stage in the third exhibition, where the spotlight turns to the rich heritage of Chinese and Korean antiques. This immersive journey through time invites visitors to appreciate the craftsmanship, symbolism, and historical significance embedded in each artifact. It’s a testament to the curator’s dedication to bridging cultural narratives through the language of art.
As a visionary in the art world, Philip Shin goes beyond traditional exhibitions to host a Forum of Artwork Appraisal. This educational and interactive event brings together experts, collectors, and enthusiasts to delve into the intricacies of assessing artistic value. From understanding market trends to decoding the nuances of craftsmanship, the forum aims to empower participants with insights into the art appraisal process.
Philip Shin’s upcoming exhibitions promise not only a visual feast for art enthusiasts but also a thought-provoking exploration of cultural narratives and the multifaceted world of art. Each exhibition serves as a testament to his commitment to fostering artistic dialogue and appreciation on both local and global scales. As we anticipate
these future showcases, everyone eagerly awaits the enriching experiences they will undoubtedly bring to the world of art.
Kim creates his work in 24 karat gold – considered the purest form of the yellow metal – with 999 parts per thousand of gold. No other medium will do for him, as he intends to make an “indelible” mark and leave the world with works of art that last forever – the kind that will not fade or crack or crumble with time or, in his own words, “something that will last for 1,000 years”.
Oil painting will lose its original colour and also cracks over time. However, Kim’s pure gold art has no issue with this problem. His works will spread and share the feeling of wealth and abundance, benevolence and happiness to the world. Their spirit will be passed on from generation to generation, remaining unchanged.
Gold has held a very special place in the human imagination for millennia. Being compared to the mighty sun, the Incas called it the ‘tears of the sun’. Its yellow hue is the Royal colour in Brunei, Malaysia and Thailand. This sun-coloured metal is seen as being synonymous with power and beauty and has found all-round cultural acceptability. Distinct among metals for being imperishable, never tarnishing in air or in water, gold is dense, soft and ductile with an attractive yellow colour and lustre.
Gold leaf was used in the creation of illuminated manuscripts in Constantinople, Ireland and Italy from the 5th century. The most notable of modern artists who used it in his works is Austrian artist Gustav Klimt (1862-1918). During his ‘golden phase’, Klimt created a series of gold leaf paintings which include his world-famous masterpieces ‘The Kiss’, and the ‘Portrait of Adele Bloch-Bauer I’ – which was renamed ‘The Lady in Gold’.
Kim – whose name has an unreal similarity with that of Klimt – driven by his passion for art and spurred on too by the women in his life, has taken gold art to a different dimension. Unlike those who have produced gilded paintings, Kim’s work is made with non-negotiable, 24 karat gold.